I mentioned to a friend the other day that the more I learn about dreams, the more it feels like I’ve barely scratched the surface. It’s been so fulfilling to write about them, in ways that I can’t describe. Maybe I haven’t had that in writing before, where I hit a vein that really gets to my core. Writing is changing my relationship to dreams, and vice-versa; I have a series of dreams about twitter going back a year, it’s like my dreams are very gradually and gently tweet-mentoring me. I continue to be surprised, and it only gets better.

Tuesday night I attempted to begin a short chat about my recent work at NFTuesday, but there was a problem with the projector and my work was rendered invisible, so it was postponed for another time. It was awkward but I can’t even pretend to know what the right order of things is anymore, it seems the universe had better ideas than me about timing. I’ve been a bit awkward in general over the past couple months, what with sharing more digital work and putting out essays and trying to figure out how to do all that, plus the rest of my plate, but it’s growing and I’m very, very grateful.

Today I minted my genesis nft on Objkt, check it out here. I’m approaching these as an ongoing experiment: I’ll probably mint a new piece once every other week for the next few months and see how it evolves.

General updates: I’ve been making digital things, looks like I’ll begin releasing those in some format or another before the end of the year. To make a bit more space for such I’ll switch to an every-other-week schedule with The Pamplet, will take some trial and error to find a cadence as the things evolve. After finishing the last show and gradually getting a better grip on blender via small digital works, my next larger architectural digital work is simmering—the technical challenges still seem absurd, but that is typical. This all feels like an awkward in-between stage, probably a sign of growth.

In early October 2019, just over three years ago, I visited NYC. The impetus for the trip was to see the Charles Ray exhibition at the Hill Art Foundation. Ray is one of my very favorite artists, and it was a highly unusual show. He exhibited several sculptures (including a never-before-or-since-shown personal work) alongside Renaissance and Baroque bronzes he selected from the Foundation’s collection—all of it arranged in his own idiosyncratic, insightful curation. As an extra treat, many of Ray’s rare, limited-edition exhibition catalogs were laid out in the reading area, and I spent an afternoon browsing. That week also included my first trip to Dia Beacon, and Bard, which had an unusual sculpture double-header with shows by both Haim Steinbach and Helen Marten. Anyway, I could nerd out at length about the great art viewing. After I got back home, I had a lovely dream: I dreamed I saw a very sweet dog that was pregnant with 60 puppies (my dreams tend to have a sense of humor with a bit of absurdist flair). I wrote in my journal that I had so much in me, like, A LOT, that I didn’t know how to express. I had all this potential, but somehow, frustratingly, though I was sincerely doing everything I could think of, I couldn’t seem to fully access it.

It’s good to look back on that time, and it’s amazing how much has happened since. For a bit of contrast, last month I had a follow-up dream: I dreamed I set out a special food for a bunch of incredibly cute puppies—they were so happy about this and digging in—then a couple of them saw me and jumped up to greet me with the most wonderful, enthusiastic, unbridled joy. Their pure joy was such a gift in the dream, it makes me beam. Maybe this joy and energy were the potential in my ‘19 dream, little did I know back then, and three years later, all across my life it’s starting to bound around, wanting to play. So much has evolved for me in miraculous ways since that NYC trip, much to come, and I’m beyond grateful for every moment along the way that’s catalyzed.